AFRICAN NIGHTMARE SPECTRE OF FAMINE 1975
A
HISTORY OF GOD
Karen Armstrong 1993
The God of the Mystics
Page 250
"Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically;
the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by
combining the letters with the sacred numbers, rearranging them in
endless configurations, the mystic weaned his mind away from the normal connotations of words."
THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY THE ACCOUNT
IS UNASHAMEDLY SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE AS
THOUGH HE WERE WRITING A BOOK. BUT LANGUAGE HAS BEEN ENTIRELY TRANSFORMED AND THE
MESSAGE OF CREATION IS NO LONGER CLEAR EACH LETTER OF THE ENGLISH ALPHABET IS GIVEN
A NUMERICAL VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS REARRANGING
THEM IN ENDLESS CONFIGURATIONS THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL
CONNOTATIONS OF WORDS
THE LIGHT IS RISING NOW RISING IS THE LIGHT
....
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LIGHT AND LIFE
Lars Olof Bjorn 1976
Page 197
"By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium."
"FOR THE GENETIC CODE THERE IS ONLY ONE UNIVERSAL LANGUAGE"
DNA AND DNA DNA AND DNA DNA AND DNA
DNA AND DNA DNA AND DNA DNA AND DNA
"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER
ONE MAY PUT DOWN ALMOST ANY MESSAGE"
FINGERPRINTS OF THE GODS
A QUEST FOR THE BEGINNING AND THE END
Graham Hancock 1995
Chapter 32
Speaking to the Unborn
Page 285
"It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers.
Much harder to explain is the peculiar but distinctive way the myths of cataclysm seem to bear the intelligent imprint of a guiding hand.l Indeed the degree of convergence between such ancient stories is frequently remarkable enough to raise the suspicion that they must all have been 'written' by the same 'author'.
Could that author have had anything to do with the wondrous deity, or superhuman, spoken of in so many of the myths we have reviewed, who appears immediately after the world has been shattered by a horrifying geological catastrophe and brings comfort and the gifts of civilization to the shocked and demoralized survivors?
White and bearded, Osiris is the Egyptian manifestation of this / Page 286 / universal figure, and it may not be an accident that one of the first acts he is remembered for in myth is the abolition of cannibalism among the primitive inhabitants of the Nile Valley.2 Viracocha, in South America, was said to have begun his civilizing mission immediately after a great flood; Quetzalcoatl, the discoverer of maize, brought the benefits of crops, mathematics, astronomy and a refined culture to Mexico after the Fourth Sun had been overwhelmed by a destroying deluge.
Could these strange myths contain a record of encounters between scattered palaeolithic tribes which survived the last Ice Age and an as yet unidentified high civilization which passed through the same epoch?
And could the myths be attempts to communicate?
A message in the bottle of time
'Of all the other stupendous inventions,' Galileo once remarked,
what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3
If the 'precessional message' identified by scholars like Santillana, von Dechend and Jane Sellers is indeed a deliberate attempt at communication by some lost civilization of antiquity, how come it wasn't just written down and left for us to find? Wouldn't that have been easier than encoding it in myths? Perhaps.
Nevertheless, suppose that whatever the message was written on got destroyed or worn away after many thousands of years? Or suppose that the language in which it was inscribed was later forgotten utterly (like the enigmatic Indus Valley script, which has been studied closely for more than half a century but has so far resisted all attempts at decoding)? It must be obvious that in such circumstances a written / Page 287 / legacy to the future would be of no value at all, because nobody would be able to make sense of it.
What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them - and the city of Teotihuacan may be the calling-card of a lost civilization written in the eternal language of mathematics.
Geodetic data, related to the exact positioning of fixed geographical points and to the shape and size of the earth, would also remain valid and recognizable for tens of thousands of years, and might be most conveniently expressed by means of cartography (or in the construction of giant geodetic monuments like the Great Pyramid of Egypt, as
we shall see).
Another 'constant' in our solar system is the language of time: the great but regular intervals of time calibrated by the inch-worm creep of precessional motion. Now, or ten thousand years in the future, a message that prints out numbers like 72 or 2160 or 4320or 25,920 should be instantly intelligible to any civilization that has evolved a modest talent for mathematics and the ability to detect and measure the almost imperceptible reverse wobble that the sun appears to make along the ecliptic against the background of the fixed stars..."
"What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them"
"WRITTEN IN THE ETERNAL LANGUAGE OF MATHEMATICS"
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THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY
THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE
AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED
THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF
THE
ALPHABET
IS
GIVEN
A
NUMERICAL
VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS
REARRANGING THEM IN ENDLESS CONFIGURATIONS
THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS
....
THE USBORNE BOOK OF
FACTS AND LISTS
Lynn Bressler (no date)
Page 82
10 most spoken languages
Chinese 700,000,000 English 400,000,000 Russian 265,000,000 Spanish 240,000,000 Hindustani 230,000,000 Arabic 146,000,000 Portuguese 145,000,000 Bengali 144,000,000 German 119,000,000 Japanese 116,000,000
The first alphabet
The Phoenicians, who once lived where Syria, Jordan and Lebanon are today, had an alphabet of 29 letters as early as 1,700 BC. It was adopted by the Greeks and the Romans. Through the Romans, who went on to conquer most of Europe, it became the alphabet of Western countries.
Sounds strange
One tribe of Mexican Indians hold entire conversations just by whistling. The different pitches provide meaning.
The Rosetta Stone
The Rosetta Stone was found by Napoleon in the sands of Egypt. It dates to about 196 BC.
On it is an inscription in hieroglyphics and a translation in Greek. , Because scholars knew ancient Greek, they could work out what the Egyptian hieroglyphics meant. From this they learned the language of the ancient Egyptians.
Did You KnowMany Chinese cannot understand each other. They have different ways of speaking (called dialects) in different
parts of the country. But today in schools allover China, the children are being taught one dialect (Mandarin), so that one day all Chinese will understand each other.
Translating computers
Computers can be used to help people of different nationalities, who do not know each others' language, talk to each other. By giving a computer a message in one language it will translate it into another specified language.
Worldwide language
English is spoken either as a first or second language in at least 45 countries. This is more than any other language. It is the language of international business and scientific conferences and is used by airtraffic controllers worldwide. In all, about one third of the world speaks it.
Page 83
Earliest writing Chinese writing has been found on pottery, and even on a tortoise shell, going back 6,000 years. Pictures made the basis for their writing, each picture showing an object or idea. Probably the earliest form of writing came from the Middle East, where Iraq and Iran are now. This region was then ruled by the Sumerians.
The most words
English has more words in it than any other language. There are about1 million in all, a third of which are technical terms. Most
people only use about 1 per cent of the words available, that is, about 10,000. William Shakespeare is reputed to have made most use of the English vocabulary.
A scientific word describing a process in the human cell is 207,000 letters long. This makes this single word equal in length to a short novel or about 80 typed sheets of A4 paper.
Many tongues
A Frenchman, named Georges Henri Schmidt, is fluent (meaning he reads and writes well) in 31 different languages.
International language
Esperanto was invented in the 1880s by a Pole, Dr Zamenhof. It was hoped that it would become the international language of Europe. It took words from many European countries and has a very easy grammar that can be learned in an hour or two.
The same language
The languages of India and Europe may originally come from just one source. Many words in different languages sound similar. For example, the word for King in Latin is Rex, in Indian, Raj, in Italian Re, in French Roi and in Spanish Rey. The original language has been named Indo-European. Basque, spoken in the French and Spanish Pyrenees, is an exception. It seems to have a different source which is still unknown.
Number of alphabets
There are 65 alphabets in use in the world today. Here are some of them: Roman
ABCDEFGHUKLMNOPQRS Greek Russian (Cyrillic) Hebrew Chinese (examples omitted)
THE LIGHT IS RISING NOW RISING IS THE LIGHT
....
THE BULL OF MINOS
Leonard Cottrell 1953
Chapter VII
Page 90
THE QUEST CONTINUES
"OUT IN THE DARK BLUE SEA THERE LIES A LAND CALLED CRETE, A RICH AND LOVELY LAND,
WASHED BY THE WAVES ON EVERY SIDE, DENSELY PEOPLED AND BOASTING NINETY CITIES. . .
ONE OF THE NINETY TOWNS IS A GREAT CITY CALLED KNOSSOS, AND THERE FOR NINE YEARS,
KING MINOS RULED AND ENJOYED THE FRIENDSHIP OF ALMIGHTY ZEUS
SUN 9 9 SUN
EARTH 7 7 EARTH
MOON 3 3 MOON
JUPITER 99 99 JUPITER
The Prophet
Kahil Gibran 1923
Page 85
" Forget not that I shall come back to you
A
little while, and my longing shall gather dust and foam for another body
A
little while, a moment of rest upon the wind,
and another woman shall bear me"
THE ELEMENTS OF THE GODDESS
Caitlin Mathews 1997
WE ARE ENTERING THE TIME OF THE NINE-POINTED STAR
THE STAR OF MAKING REAL UPON EARTH THE GOLDEN DREAM OF PEACE THAT LIVES WITHIN US
BROOKE MEDICINE EAGLE
Page 72
"THE WAY OF THE DELIVERER IS THAT OF BONDAGE-BREAKER WHATEVER IS TRAPPED DENIED FREEDOM OF MOVEMENT THE DELIVERER PERSONALLY SETS FREE HER METHOD OF LIBERATION IS TO GO TO THE ROOTS OF THE BLOCKAGE AND LITERALLY BLAST IT FREE IN THIS THE DELIVERER BEARS A STRONG RESEMBLANCE TO THE SHAPER OF ALL WHO IS WILLING TO BE BROKEN INTO PIECES
THE SYMBOLIC IMAGE OF THIS TRANSFORMATION IS THAT OF THE BUTTERFLY EMERGING FROM THE CHRYSALIS FROM APPARENT DEATH AND DESTRUCTION ARISES A NEW FORM OF LIFE SO ARE WE BORNE OF THE DELIVERER RESHAPED AND TRANSFORMED TO LIVE MORE EFFECTIVELY WITHIN OUR CHOSEN FIELD OF OPERATION
Page 38
THIS ENNEAD OF ASPECTS IS ENDLESSLY ADAPTABLE FOR IT IS MADE UP OF NINE THE MOST AJUSTABLE AND YET ESSENTIALLY UNCHANGING NUMBER HOWEVER ONE CHOOSES TO ADD UP MULTIPLES OF NINE FOR EXAMPLE 54 72 108 THEY ALWAYS ADD UP TO NINE"
"HOWEVER ONE CHOOSES TO ADD UP MULTIPLES OF NINE FOR EXAMPLE
54 72 108
THEY ALWAYS ADD UP TO NINE"
TIMES LITERARY SUPPLEMENT
January 17, 2008
Chrysalis
Muriel Spark: introduced by Mick Imlah.
Muriel Spark (1918–2004) was one of the most admired and successful novelists in English in the second half of the twentieth century, author of The Prime of Miss Jean Brodie (1961), based on her own experience of school in Edinburgh, The Girls of Slender Means (1963) and others. But it was in poetry that she first made her name. From 1947–49 she was editor of the journal Poetry Review and her collection The Fanfarlo (1952) preceded her first published fiction. One of the poems in that book, "Chrysalis" was published in the TLS in June 1951
Chrysalis
We found it on a bunch of grapes and put it
In cotton wool, in a matchbox partly open,
In a room in London in wintertime, and in
A safe place, and then forgot it.
Early in the cold spring we said "See this!
Where on earth did the butterfly come from?"
It looked so unnatural whisking about the curtain:
Then we remembered the chrysalis.
There was the broken shell with what was once
The head askew; and what was once the worm
Was away out of the window, out of the warm,
Out of the scene of the small violence.
Not strange, that the pretty creature formalized
The virtue of its dark unconscious wait
For pincers of light to come and pick it out.
But it was a bad business, our being surprised.
Muriel Spark (1951)
DAILY MAIL
Thursday, April 6, 2006
Jonathan Cainer
GEMINI
May 22 -June 22
CATERPILLARS, when they form cocoons, do not succumb to any sudden doubts.They do not wonder why it is necessary to lock themselves away for a while. They do not consider that it might be unhealthy to retreat so far: Nor, when they finally emerge as blazing, beautiful butterflies, do they stop to-wonder whether life might have been better back in the-old days without wings. You are going through a profound transformation. Absolutely nothing is wrong with this."
MEDITATIONS FOR EVERY DAY
Father Andrew 1934
MONDAY IN EASTER WEEK
RISEN INDEED
'The Lord is risen indeed.'-S. LUKE xxiv. 34
Page 136
SAINT JOHN tells us in his Gospel that, when he and Peter went speeding down to the sepulchre of our Lord and entered in, he ' saw and believed.' What was it that brought conviction to John? He saw something in the way the grave-clothes were disposed which brought absolute conviction to him of our Lord's Resurrection. If he had just seen the graveclothes put on one side, surely he would have thought, as the women thought, that the body of our Lord had been taken from the tomb, but there was something about them which he says brought conviction to him.
The Jewish method of burial was to wind linen round and round the body, sprinkling myrrh and spices upon the linen as they did so. The myrrh was sticky and made the bands of linen adhere closely together, so that the body was like a mummy or the chrysalis of a caterpillar. What S. John saw, when he entered the tomb, was that the linen which had been wound round the body still kept its shape, but it was clear that the body was not inside it. The linen lay there like an empty shell or a chrysalis from which the moth has risen. The napkin which had been laid over the face of Jesus had fallen back and lay in its own place by itself. He saw that, and it brought conviction to him, and he went away with a wholly different frame of mind from that with which he came. As Bishop Westcott says so well in his commentary, the feeling of the apostles is better expressed by their words, The Master lives,' than by the words, He is risen.' They realized that our Lord had never been defeated by death.
MAN'S UNKNOWN JOURNEY
Staveley Bulford 1941
An introduction and contribution to the study of subjects essential to a new revelation - The Evolution of the Mind and Consciousness - in the journey of Mankind towards Perfection on and beyond the Earth
Page 190/191
"Words are inadequate to express the multitude of patterns of both Harmony and Discord portrayed by Thought, and the reader who may be unfamiliar with such a possibility as Thought power, must feel somewhat like a cocoon being told that some day he will be a butterfly himself and fly around from / flower to to flower that even at the present moment he, the cocoon, possesses all the essentials for that almost inconceivable manifestation."
Encyclopedia Of Ancient And Forbidden Knowledge
Zolar 1988 Edition
Page 39
KABBALISTIC WISDOM
There is no death; there is no destruction. All is but change and transformation-first the caterpillar, then the chrysalis, then the mighty mind, and at last a noble Soul."
THE DEATH OF FOREVER
A NEW FUTURE FOR HUMAN CONSCIOUSNESS
1991
Page 266
"We should create new rites of passage to celebrate the phases of the human life cycle, rituals for birth, for the transit into adolescence, and above all, for dying.
Of these, the need for a ritual of dying is the most urgent. I know of no greater testament to the failure of our civilisation than the fact that so many people die alone, abandoned like discards on society's junk heap. Dying must again be united with a sense of the sacred, for it is here, if anywhere, that the psyche outgrows its human limitation. The most important message of this book is that consciousness cannot be extinguished by death, for consciousness transcends time. We should learn to approach death with gratitude, seeing it for what it is, the final elimination of ego, the end of the fallacies of time and self.
In the end it can all be said so simply.
Time and self are outgrown husks which consciousness will one day discard, just as a butterfly abandons its chrysalis to fly towards the sun.
IN THE END IT CAN ALL BE SAID SO SIMPLY TIME AND SELF
ARE OUTGROWN HUSKS WHICH CONSCIOUSNESS WILL ONE DAY DISCARD
JUST AS A BUTTERFLY ABANDONS ITS CHRYSALIS TO FLY TOWARDS THE SUN
THE LION PATH
YOU CAN TAKE IT WITH YOU
A Manual of the Short Path to Regeneration for our times
by
Musaios
Page 33
It is time to examine the regenerative process - the way out of our limited state of body and awareness - a state that was thought of in this doctrine as "larval" to that which would ensue, just as the effectively one - dimensional or linear caterpillar has the hidden ability to spin a self - made cocoon - tomb and then turn into a pupal case, with future wings already outlined on it - a stage that can again metamorphose into the winged imago or mature form that emerges from the shell of the tomb - egg of the cocoon and flies aloft into the sky.
THE LION PATH
YOU CAN TAKE IT WITH YOU
A Manual of the Short Path to Regeneration for our times
by
Musaios
Page 137
"A winged and wondrous child
will whirl a whole world into being . . .
That child alone shall fly the abyss
and reach the Second Sun. . . ."
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|
|
|
|
|
|
|
|
|
5 |
|
8 |
|
129 |
39 |
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
5 |
|
36 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
|
23 |
|
247 |
112 |
22 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
56 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
70 |
34 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
5 |
|
63 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
5 |
|
72 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
58 |
22 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
5 |
|
37 |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
32 |
|
29 |
|
357 |
159 |
33 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
49 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
36 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
47 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
|
52 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
3 |
|
43 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
|
66 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
|
30 |
|
326 |
119 |
38 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
5 |
|
35 |
26 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
60 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
3 |
|
54 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
|
20 |
|
201 |
84 |
30 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7+7 |
|
1+0+2 |
Add to Reduce |
1+7+1 |
4+7+4 |
1+2+3 |
|
|
|
|
|
|
1+8 |
2+1 |
1+6 |
3+6 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+4 |
|
|
Reduce to Deduce |
|
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
62 |
35 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
8 |
|
129 |
39 |
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
5 |
|
36 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
56 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
70 |
34 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
5 |
|
63 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
5 |
|
72 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
58 |
22 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
5 |
|
37 |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
49 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
36 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
47 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
|
52 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
3 |
|
43 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
|
66 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
5 |
|
35 |
26 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
60 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
3 |
|
54 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7+7 |
|
1+0+2 |
Add to Reduce |
1+7+1 |
4+7+4 |
1+2+3 |
|
|
|
|
|
|
1+8 |
2+1 |
1+6 |
3+6 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+4 |
|
|
Reduce to Deduce |
|
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
5 |
|
37 |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
56 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
47 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
8 |
|
129 |
39 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
|
66 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
58 |
22 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
49 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
60 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
70 |
34 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
|
52 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
3 |
|
43 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
62 |
35 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
5 |
|
35 |
26 |
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
5 |
|
36 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
5 |
|
63 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
5 |
|
72 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
36 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
3 |
|
54 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7+7 |
|
1+0+2 |
Add to Reduce |
1+7+1 |
4+7+4 |
1+2+3 |
|
|
|
|
|
|
1+8 |
2+1 |
1+6 |
3+6 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+4 |
|
|
Reduce to Deduce |
|
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
THE DEATH OF GODS IN ANCIENT EGYPT
Jane B. Sellars 1992
Page 204
"The overwhelming awe that accompanies the realization, of the measurable orderliness of the universe strikes modern man as well. Admiral Weiland E. Byrd, alone In the Antarctic for five months of polar darkness, wrote these phrases of intense feeling:
Here were the imponderable processes and forces of the cosmos, harmonious and soundless. Harmony, that was it! I could feel no doubt of oneness with the universe. The conviction came that the rhythm was too orderly. too harmonious, too perfect to be a product of blind chance - that, therefore there must be purpose in the whole and that man was part of that whole and not an accidental offshoot. It was a feeling that transcended reason; that went to the heart of man's despair and found it groundless. The universe was a cosmos, not a chaos; man was as rightfully a part of that cosmos as were the day and night.10
Returning to the account of the story of Osiris, son of Cronos god of' Measurable Time, Plutarch takes, pains to remind the reader of the original Egyptian year consisting of 360 days.
Phrases are used that prompt simple mental. calculations and an attention to numbers, for example, the 360-day year is described as being '12 months of 30 days each'. Then we are told that, Osiris leaves on a long journey, during which Seth, his evil brother, plots with 72 companions to slay Osiris: He also secretly obtained the measure of Osiris and made ready a chest in which to entrap him.
The, interesting thing about this part of the-account is that nowhere in the original texts of the Egyptians are we told that Seth, has 72 companions. We have already been encouraged to equate Osiris with the concept of measured time; his father being Cronos. It is also an observable fact that Cronos-Saturn has the longest sidereal period of the known planets at that time, an orbit. of 30 years. Saturn is absent from a specific constellation for that length of time.
A simple mathematical fact has been revealed to any that are even remotely sensitive to numbers: if you multiply 72 by 30, the years of Saturn's absence (and the mention of Osiris's absence prompts one to recall this other), the resulting product is 2,160: the number of years required, for one 30° shift, or a shift: through one complete sign of the zodiac. This number multplied by the / Page205 / 12 signs also gives 25,920. (And Plutarch has reminded us of 12)
If you multiply the unusual number 72 by 360, a number that Plutarch mentions several times, the product will be 25,920, again the number of years symbolizing the ultimate rebirth.
This 'Eternal Return' is the return of, say, Taurus to the position of marking the vernal equinox by 'riding in the solar bark with. Re' after having relinquished this honoured position to Aries, and subsequently to the to other zodiacal constellations.
Such a return after 25,920 years is indeed a revisit to a Golden Age, golden not only because of a remarkable symmetry In the heavens, but golden because it existed before the Egyptians experienced heaven's changeability.
But now to inform the reader of a fact he or she may already know. Hipparaus did: not really have the exact figures: he was a
trifle off in his observations and calculations. In his published work, On the Displacement of the Solstitial and Equinoctial Signs, he
gave figures of 45" to 46" a year, while the truer precessional
lag along the ecliptic is about 50 seconds. The exact measurement for the lag, based on the correct annual lag of 50'274" is 1° in 71.6 years, or 360° in 25,776 years, only 144 years less
than the figure of 25,920.
With Hipparchus's incorrect figures a 'Great Year' takes from 28,173.9 to 28,800 years, incorrect by a difference of from 2,397.9 years to 3,024.
Since Nicholas Copernicus (AD 1473-1543) has always been credited with giving the correct numbers (although Arabic astronomer Nasir al-Din Tusi,11 born AD 1201, is known to have fixed the Precession at 50°), we may correctly ask, and with justifiable astonishment 'Just whose information was Plutarch transmitting'
AN IMPORTANT POSTSCRIPT
Of course, using our own notational system, all the important numbers have digits that reduce to that amazing number 9 a number that has always delighted budding mathematician.
Page 206
Somewhere along the way, according to Robert Graves, 9 became the number of lunar wisdom.12
This number is found often in the mythologies of the world. the Viking god Odin hung for nine days and nights on the World Tree in order to acquire the secret of the runes, those magic symbols out of which writing and numbers grew. Only a terrible sacrifice would give away this secret, which conveyed upon its owner power and dominion over all, so Odin hung from his neck those long 9 days and nights over the 'bottomless abyss'. In the tree were 9 worlds, and another god was said to have been born of 9 mothers.
Robert Graves, in his White Goddess, Is intrigued by the seemingly recurring quality of the number 72 in early myth and ritual. Graves tells his reader that 72 is always connected with the number 5, which reflects, among other things, the five Celtic dialects that he was investigating. Of course, 5 x 72= 360, 360 x 72= 25,920. Five is also the number of the planets known to the ancient world, that is, Saturn, Jupiter, Mars, Venus Mercury.
Graves suggests a religious mystery bound up with two ancient Celtic 'Tree Alphabets' or cipher alphabets, which as genuine articles of Druidism were orally preserved and transmitted for centuries. He argues convincingly that the ancient poetry of Europe
was ultimately based on what its composers believed to be magical principles, the rudiments of which formed a close religious secret for centuries. In time these were-garbled, discredited and forgotten.
Among the many signs of the transmission of special numbers he points out that the aggregate number of letter strokes for the complete 22-letter Ogham alphabet that he is studying is 72 and that this number is the multiple of 9, 'the number of lunar wisdom'. . . . he then mentions something about 'the seventy day season during which Venus moves successively from. maximum eastern elongation 'to inferior conjunction and maximum western elongation'.13
Page 207
"...Feniusa Farsa, Graves equates this hero with Dionysus. Farsa has 72 assistants who helped him master the 72 languages created at the confusion of Babel, the tower of which is said to be built of 9 different materials
We are also reminded of the miraculous translation into Greek of the Five Books of Moses that was done by 72 scholars working for 72 days, Although the symbol for the Septuagint is LXX, legend, according to the fictional letter of Aristeas, records 72. The translation was done for Ptolemy Philadelphus (c.250 BC), by Hellenistic Jews, possibly from Alexandra.14
Graves did not know why this number was necessary, but he points out that he understands Frazer's Golden Bough to be a book hinting that 'the secret involves the truth that the Christian
dogma, and rituals, are the refinement of a great body of
primitive beliefs, and that the only original element in Christianity- is the personality of Christ.15
Frances A. Yates, historian of Renaissance hermetisma tells, us
the cabala had 72 angels through which the sephiroth (the powers
of God) are believed to be approached, and further, she supplies the information that although the Cabala supplied a set of 48 conclusions purporting to confirm the Christian religion from the foundation of ancient wisdom, Pico Della Mirandola, a Renaissance magus, introduced instead 72, which were his 'own opinion' of the correct number. Yates writes, 'It is no accident
there are seventy-two of Pico's Cabalist conclusions, for the conclusion shows that he knew something of the mystery of the Name of God with seventy-two letters.'16
In Hamlet's Mill de Santillana adds the facts that 432,000 is the number of syllables in the Rig-Veda, which when multiplied by the soss (60) gives 25,920" (The reader is forgiven for a bit of laughter at this point)
The Bible has not escaped his pursuit. A prominent Assyriologist of the last century insisted that the total of the years recounted mounted in Genesis for the lifetimes of patriarchs from
the Flood also contained the needed secret numbers. (He showed that in the 1,656 years recounted in the Bible there are 86,400 7 day weeks, and dividing this number yields / Page 208 / 43,200.) In Indian yogic schools it is held that all living beings exhale and inhale 21,600 times a day, multiply this by 2 and again we have the necessary 432 digits.
Joseph Campbell discerns the secret in the date set for the coming of Patrick to Ireland. Myth-gives this date-as-the interesting number of AD.432.18
Whatever one may think-of some of these number coincidences, it becomes difficult to escape the suspicion that many signs (number and otherwise) - indicate that early man observed the results of the movement of Precession and that the - transmission of this information was considered of prime importance.
With the awareness of the phenomenon, observers would certainly have tried for its measure, and such an endeavour would have constituted the construction-of a 'Unified Field Theory' for nothing less than Creation itself. Once determined, it would have been information worthy of secrecy and worthy of the passing on to future adepts.
But one last word about mankind's romance with number coincidences.The antagonist in John Updike's novel, Roger's Version, is a computer hacker, who, convinced, that scientific evidence of God's existence is accumulating, endeavours to prove it by feeding -all the available scientific information. into a comuter. In his search for God 'breaking, through', he has become fascinated by certain numbers that have continually been cropping up. He explains them excitedly as 'the terms of Creation':
"...after a while I noticed that all over the sheet there seemed to hit these twenty-fours Jumping out at me. Two four; two, four. Planck time, for instance, divided by the radiation constant yields a figure near eight times ten again to the negative twenty-fourth, and the permittivity of free space, or electric constant, into the Bohr radius ekla almost exactly six times ten to the negative twenty-fourth. On positive side, the electromagnetic line-structure constant times Hubble radius - that is, the size of the universe as we now perceive it gives us something quite close to ten to the twenty-fourth, and the strong-force constant times the charge on the proton produces two point four times ten to the negative eighteenth, for another I began to circle twenty-four wherever it appeared on the Printout here' - he held it up his piece of stripped and striped wallpaper, decorated / Page 209 /
with a number of scarlet circles - 'you can see it's more than random.'19
This inhabitant of the twentieth century is convinced that the striking occurrences of 2 and 4 reveal the sacred numbers by which God is speaking to us.
So much for any scorn directed to ancient man's fascination with number coincidences. That fascination is alive and well, Just a bit more incomprehensible"
NUMBER
9
THE SEARCH FOR THE SIGMA CODE
Cecil Balmond 1998
Cycles and Patterns
Page 165
Patterns
"The essence of mathematics is to look for patterns.
Our minds seem to be organised to search for relationships and sequences. We look for hidden orders.
These intuitions seem to be more important than the facts themselves, for there is always the thrill at finding something, a pattern, it is a discovery - what was unknown is now revealed. Imagine looking up at the stars and finding the zodiac!
Searching out patterns is a pure delight.
Suddenly the counters fall into place and a connection is found, not necessarily a geometric one, but a relationship between numbers, pictures of the mind, that were not obvious before. There is that excitement of finding order in something that was otherwise hidden.
And there is the knowledge that a huge unseen world lurks behind the facades we see of the numbers themselves."
....
THE LIGHT IS RISING NOW RISING IS THE LIGHT
THE MAGIC MOUNTAIN
Thomas Mann 1875-1955
Page 466
"Had not the normal, since time was, lived on the achievements of the abnormal? Men consciously and voluntarily descended into disease and madness, in search of knowledge which, acquired by fanaticism, would lead back to health; after the possession and use of it had ceased to be conditioned by that heroic and abnormal act of sacrifice. That was the true death on the cross, the true Atonement."
THE TRUE DEATH ON THE CROSS THE TRUE AT ONE MENT
ATONEMENT
- |
- |
- |
- |
A |
- |
- |
- |
- |
- |
- |
- |
- |
T |
- |
- |
- |
- |
- |
- |
- |
- |
O |
- |
- |
- |
- |
- |
- |
- |
- |
N |
- |
- |
- |
- |
A |
T |
O |
N |
E |
M |
E |
N |
T |
- |
- |
- |
- |
M |
- |
- |
- |
- |
- |
- |
- |
- |
E |
- |
- |
- |
- |
- |
- |
- |
- |
N |
- |
- |
- |
- |
- |
- |
- |
- |
T |
- |
- |
- |
- |
ADVENT NINESQUARE ADVENT
|
|
33 |
15 |
|
|
|
39 |
12 |
|
|
|
81 |
36 |
|
13 |
- |
|
63 |
18 |
1+3 |
- |
1+5+3 |
6+3 |
1+8 |
4 |
- |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
33 |
15 |
|
7 |
ENGLISH |
74 |
38 |
|
8 |
LANGUAGE |
68 |
32 |
|
18 |
- |
|
|
|
1+8 |
- |
1+7+5 |
8+5 |
1+3 |
9 |
- |
13 |
13 |
4 |
ADVENT TENSQUARE ADVENT
THE TRUE AND INVISIBLE ROSICRUCIAN ORDER
Paul Foster Case 1928
"It is the center of balance in the cosmic order represented by the Tree.
It is called King because it actually does exercise a royal authority. It has
the names of generic man, Adam, and of personal man, Ish, because the
essential reality of both of these is one and the same. It was by
identifying himself completely with this one reality that Jesus was able to
say, "I and the Father are One," and it was for the same reason that Jesus
called himself the Son of Man. Strangely enough, the New Testament records
this title, Son of Man exactly 37 times, and 37 is the number of IChlDH,
Yekhidah, the Hebrew name for the cosmic I AM of which Adam and Ish, the two
aspects of the Royal Son, are the reflection".
THE EXPANDING UNIVERSE
Sir Arthur Eddington 1932
Page 118
"I have referred elsewhere to the danger of limiting scientific
investigation to a bounded domain (p. 34). Instead of honestly facing the
intricacies of our prob-lem. we may be led to think that its difficulties
have been solved when they have only been swept over the boundary. Sweeping
them back and back. the pile in-creases until it forms an unclimbable
barrier. Perhaps it is this barrier that we call "the beginning."
Now I have told you " everything right as it fell out."
How much of the story are we to believe?
Science has its showrooms and its workshops. The public to-day. I think
rightly. is not content to wander round the showrooms where the tested
products are exhibited; the demand is to see what is going on in
the workshops. You are welcome to enter; but do not.
judge what you see by the standards of the showroom. We have been going
round a workshop in the base-ment of the building of science. The light is dim. and we stumble sometimes.
About us is confusion and mess which there has not been time to sweep away.
The. workers and their machines are enveloped in murkiness. But I think that
something is being shaped here-perhaps something rather big. I do not quite.
know what it will be when it is completed and polished for the showroom. But
we can look at the present designs and tlle novel tools that are being used
in its manufacture; we can contemplate too the little successes which make
us hopeful.
A slight reddening of the light of distant galaxies. an adventure of the
mathematical imagination in spherical space. reflections on the underlying
principles implied in all measurement. nature's curious choice of certain
numbers such as 137 in her scheme-these and many other scraps have come
together and formed a vision."
DAILY MAIL
Thursday, December 1, 2005
James Mills
HAS THIS MAN SOLVED THE GREAT TENSQUARE TEASER?
Ted Clarke within a whisker of Immortality
The ultimate in word weaving . . . but 'nonsevent' could make it a non event
" IT is, more fiendish t.han any
Countdown conundrum, more
rriind-bogglingly frustrating than
the most cryptic of crosswords.
The idea is to fill a grid with ten
words, each containing ten letters,
which read the same across as down.
Known as a tensquare, the puzzle has been around for centuries and has stumped anyone who has ever tried to solve it - even those armed with a computer program.
But now a retired aircraft design engineer from Cornwall claims to have cracked it well, almost.
Ted Clarke, 79, has come up with a solution which - by his own admission - is not
perfect,.but comes closer than. any other that has so far been found.
He has achieved it by including one word - nonesevent- which is now the subject, of a heated-debate among word puzzle experts around the world.
Mr Clarke, says nonesevent means an event occurring on. the nones - the ninth day before the Ides of March in the
ancient Roman calendar.
Unfortunately, it does.not;appear in any
dictionary. 'Finding the perfect tensquare is so extraordinarily difficult that it is widely accepted that the boundaries of. language liave to be stretched a little,'
Mr Clarke said yesterday.
'They. say that anyone who comes with the perfect solution will be immortalised.
'Well I don't. claim to have made nyself immortal, but I think I have come withiin a whisker of it - and certainly closer than
anyone else',
'Others have done it by pushing
together names such. as Kevin Brown, or
repeating .the same words twice.. But no one has ever created a tensquare using ten different recognisable words, and possibly they never will.
'Not perfect, but it's the best yet'
Ross Eckler, editor of Word Ways magazine,in the United States, and New Zealander Jeff Grant, a Scrabble fanatic who has spent the past 30 years trying to crack the problem, have accepted all Mr Clarke's words besides nonesevent.
Six of the words can be found in various dictionaries. These are discussing; incantator, scarlatina, carnitines, unlikeness and itinerates.
Two others - satinweave and grassnest - are technically two words, but are often
used as one these days. Satinweave is a
type of fabric and grassnest is a bird's
nest made of grass.
The remaining word, statewren, is also a little dubious. According'to Mr Clarke, it refers to a number of wrens which are
the symbols of American states, such as South Carolina.
Puzzle expert Tony Augarde, who compiled the Oxford Guide to Word Games, said Mr Clarke's is the best tensquare he has ever seen. 'It's not .perfect, but it's the best yet,' he added.
'Some of the words in Mr Clarke's square are not well known -put it. depend,s on your definition of what language is.'Mr Clarke has pushed the boundaries
of language, but who is to say what is a word and what isn't?'
The first word squares were constructed in ancient Greece as far back as 600BC and are the forerunners of the modern crossword.
A five-word square was found carved, on stone in the ruins of Pompeii, dating from tlie first century AD.
The game was developed in England in the19th Century to include 'across' clues an in 1913 the first crossword was published in the New York World newspaper, Word squares using more than six letter words are extremely difficult to construct. . . . . . . . . . . . . . . A numberof seven-word squares using recognisable 'Words have been created, but squares using eight or nine-letter words. require the use of obscure or
archaic words and a computer program.
Other tensquares have been created in the past, but have fallen short of the ideal that foreign words should not be used in an English-language puzzle.
Thus, one tensquare that used the French phrase ses tunnels - with the words run together - and the German verb amputieren, was frowned upon.
Another possible disqualification in the eyes of purists is that words must not be
too tortuously contrived.
Mr Clarke, who has four grandchildren and two great grandchildren, lives with his 74-year-old wife Margaret in the village of Mawgan Porth, near Newquay.
He has been a fan of word puzzles since he was a boy and over the past decade has built up a computer database of more than 70,000 words.
He uses a spiecal program to search the millions of combinations for possible solutions.
Once he finds one that comes close, he tries to find obscure words that might fill in the gaps.
John Simpson, chief editor of the Oxford English Dictionary, said: 'As far as
I can see, all potential tensquares have a few wobbly words in them. This seems to
be no exception, but I'm not a word square expert.
Many of the words in the
puzzle above, such as 'discussing' and
'unlikeliness' need no
explanation. But some of the others may be a little
less familiar...
INCANTATOR: Person who ritually recites magic words or sounds
SCARLATINA: Technical name for scarlet fever
CARNITINES: A nutrient found in the liver and muscle
STATESWREN: According to Mr Clarke, it refers to a number of wrens which are sy mbols of American states
SATINWEAVE: Type of fabric
ITINERATES: Verb meaning to move from place to place
GRASSNESTS: Birds nests
made,of grass
D |
I |
S |
C |
U |
S |
S |
I |
N |
G |
I |
|
|
|
|
|
|
|
|
R |
|
C |
A |
R |
L |
A |
T |
I |
N |
A |
|
A |
R |
N |
I |
T |
I |
N |
E |
S |
|
N |
L |
I |
K |
E |
N |
E |
S |
S |
|
T |
A |
T |
E |
S |
W |
R |
E |
N |
|
A |
T |
I |
N |
W |
E |
A |
V |
E |
|
T |
I |
N |
E |
R |
A |
T |
E |
S |
|
O |
N |
E |
S |
E |
V |
A |
N |
T |
|
R |
A |
S |
S |
N |
E |
S |
T |
S |
"Can you come up with the perfect tensquare"
?
1 |
D |
= |
4 |
10 |
DISCUSSING |
124 |
43 |
7 |
2 |
I |
= |
9 |
10 |
INCANTATOR |
115 |
43 |
7 |
3 |
S |
= |
1 |
10 |
SCARLATINA |
98 |
35 |
8 |
4 |
C |
= |
3 |
10 |
CARNITINES |
|
|
|
5 |
U |
= |
3 |
10 |
UNLIKENESS |
129 |
39 |
7 |
6 |
S |
= |
1 |
10 |
STATESWREN |
144 |
36 |
7 |
7 |
S |
= |
1 |
10 |
SATINWEAVE |
119 |
38 |
3 |
8 |
I |
= |
9 |
10 |
ITINERATES |
|
|
|
9 |
N |
= |
5 |
10 |
NONSEVENT |
|
|
|
10 |
G |
= |
7 |
10 |
GRASSNESTS |
|
|
|
55 |
- |
- |
43 |
100 |
First Total |
1235 |
407 |
56 |
5+5 |
- |
- |
4+3 |
1+0+0 |
Add to Reduce |
1+2+3+5 |
4+0+7 |
5+6 |
10 |
- |
- |
7 |
1 |
Second Total |
11 |
11 |
11 |
1+0 |
- |
- |
- |
- |
Reduce to Deduce |
1+1 |
1+1 |
1+1 |
1 |
- |
- |
7 |
1 |
Essence of Number |
|
|
|
THE TIMES
Saturday December 3 2005
It's still beating the best brains, but can you crack world's most difficult puzzle?
By Simon de Bruxelles
"COMPUTERS and the internet have transformed the world of word puzzles, turning a previously solitary pastime into a communal brainstorming activity.
But computers were no use to Ted Clarke, a retired engineer from Cornwall, whose ten-square acrostic word puzzle, published in The Times on Thursday, took seven years to compile using pencil and paper. Described as the world's most fiendish puzzle, as addictive as the most cryptic crossword, it is the ideal companion for the numerical Su Doku.
Since Mr Clarke's word square, the largest in any language, was published he has been inundated with e-mails of congratulations from around the world. Although some experts dispute at least one of the words, most agree that it is the "best attempt" yet at a tenletter word square.
One expert in word' games has estimated that 900 nine-letter word squares have been compiled, but Mr Clarke's is the first with ten that does not include proper names or foreign words. Mr Clarke, 79, said: "For me getting it published in the The Times was better than winning the lottery."
Readers who enjoyed the challenge of trying to fill in the blanks now have the chance to have another go. We have gathered a selection of word squares ranging in size from three by three to eight by eight against which to test your wits.
To give you a helping hand we have left some of the letters in situ. On Monday we will be publishing a nine-letter square. For the largest square we have also provided some crossword clues."
Samurai Su Doku, Books, page 28
6 |
|
91 |
19 |
|
9 |
|
134 |
44 |
|
10 |
|
153 |
45 |
|
THE TIMES
Thursday December 1 2005
NEWS
Page 3
'Su Doku' word game that baffled Ancient Greeks took an expert 7 years to crack - you've got 10 minutes (and a little help}
A Cornish engineer claims to have completed the 10-letter acrostic that foxed a computer
A BRITISH engineer claims to have solved a puzzle that has counfounded some of the world's best brains since the time of the Ancient. Greeks.
Ted Clarke, 79, believes that he has devised the largest acrostic square - ten letters by ten, spelling out the same words
horizontally and vertically in the English language.
However, his claim to have come up with the "best yet" solution to the conundrum of the ten-square puzzle does not satisfy some experts. They say that because one of his words does not appear in any dictionary it should be disallowed.
Like the immensely popular numbers puzzle, Su Doku, which The Times introduced to Britain, the. acrostic word square is based on a grid. The words must read the same horizontally and vertically and there must be no misspellings or leftover letters.
One of the most famous acrostics was found scratched on a wall in the ruins of Pompeii: It reads:
ROTAS
OPERA
TENET
AREPO
SATOR
" It is unique in that it not only reads the same up .and down and left to right, it also spells out a passable Latin sentence translated as "the sower Arepo holds the wheels at work".
Mr Clarke, a retired aircraft engineer from Mawgan Porth, Cornwall, has been fascinated by word puzzles since he was a boy. He made.thec::laim to have completed the ten-word acrostic in Word'sWorth, the puzzle magazine that he publishes.
He said: "Over the years people have been trying to construct bigger and bigger squares. People have made them from fantastic words that no one could find. Some have done it using names of cities and people names. These have been eschewed."
Mr Clarke is still seeking the "perfect" solution using noncompound words, but says that may be impossible. "Most experts agree that it can't be done, but this is the closest we' ve got to it so far."
The challenge proved too much for a crossword-solving computer program, so he completed his square "by hand". He said: "1' d leave it running all night looking for ten-letter words that would fit, but 1'd come down in the morning and it wouldn't have one."
His claim to have constructed the world's first ten-letter square is supported by Tony Augarde, author of the Oxford Guide toWord Games. Mr Augarde said; "It's not perfect but it's the best I've seen. Previous attempts used words that no one one had heard of or tautonyms, words that repeat the same sound like orang-utan, which made it easier.
"Some of the words in Ted Clarke's square are not well known and he has pushed the boundaries of language, but who is to say what is a word and what isn't?"
Other experts believe that Mr Clarke has "pushed the boundaries" too far with the word nonesevent. According to Mr Clarke the word, perhaps more correctly nones-event, is an event that takes place during a period of the month known as the nones by the Ancient Romans, rather like the Ides of March.
Ross Eckler, an expert from New Jersey, and Jeff Grant, an Australian who has spent the past 30 years trying to crack the problem, say that the puzzle is still waiting to be solved.
Roger Millington, author of The Strange World of Crosswords, who has traced the origins of the acrostic to Ancient Greece, wrote that the creator of the first accepted ten-letter square would achieve "a lifetime of immortality". Mr Clarke said: "I am not claiming immortality yet, but this is the closest we've got to solving this puzzle."
3 |
THE |
33 |
15 |
6 |
7 |
PERFECT |
73 |
37 |
1 |
6 |
NUMBER |
73 |
28 |
1 |
2 |
OF |
21 |
12 |
3 |
4 |
GODS |
45 |
27 |
9 |
7 |
LETTERS |
99 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
5 |
TEN |
39 |
12 |
3 |
2 |
SQUARE |
81 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
6 |
ELEVEN |
63 |
27 |
9 |
5 |
SEVEN |
65 |
29 |
2 |
3 |
ONE |
34 |
16 |
7 |
3 |
TWO |
58 |
13 |
4 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
4 |
WORD |
60 |
24 |
6 |
5 |
WORDS |
79 |
34 |
7 |
8 |
LANGUAGE |
68 |
32 |
5 |
9 |
LANGUAGES |
87 |
42 |
6 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
7 |
ENGLISH |
74 |
38 |
2 |
8 |
LANGUAGE |
68 |
32 |
5 |
15 |
- |
142 |
70 |
7 |
NUMBERS OF LETTERS LETTERS OF NUMBERS
NUMBER 9
THE SEARCH FOR THE SIGMA CODE
|
|
|
1 |
6 |
|
55 |
28 |
|
|
|
|
2 |
|
|
|
|
|
|
|
|
3 |
3 |
|
33 |
15 |
|
|
|
|
4 |
6 |
|
54 |
36 |
|
|
|
|
5 |
3 |
|
39 |
21 |
|
|
|
|
6 |
3 |
|
33 |
15 |
|
|
|
|
7 |
5 |
|
49 |
31 |
|
|
|
|
8 |
4 |
|
27 |
18 |
|
|
|
|
|
|
First Total |
|
|
|
|
|
2+0 |
|
3+1 |
Add to Reduce |
2+9+9 |
1+7+3 |
4+7 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
Reduce to Deduce |
2+0 |
1+1 |
1+1 |
|
|
|
|
|
Essence of Number |
|
|
|
NUMBER
NINE
THE SEARCH FOR THE SIGMA CODE
|
|
|
1 |
6 |
|
55 |
28 |
|
|
|
|
2 |
|
|
|
|
|
|
|
|
3 |
3 |
|
33 |
15 |
|
|
|
|
4 |
6 |
|
54 |
36 |
|
|
|
|
5 |
3 |
|
39 |
21 |
|
|
|
|
6 |
3 |
|
33 |
15 |
|
|
|
|
7 |
5 |
|
49 |
31 |
|
|
|
|
8 |
4 |
|
27 |
18 |
|
|
|
|
|
|
First Total |
|
|
|
|
|
2+5 |
|
3+4 |
Add to Reduce |
3+3+2 |
1+8+8 |
4+4 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
Reduce to Deduce |
|
1+7 |
|
|
|
|
|
|
Essence of Number |
|
|
|
THE SEARCH FOR THE SIGMA CODE
NINE
NUMBER
NINE
THE SEARCH FOR THE SIGMA CODES
|
|
|
1 |
6 |
|
55 |
28 |
|
|
|
|
2 |
|
|
|
|
|
|
|
|
3 |
3 |
|
33 |
15 |
|
|
|
|
4 |
6 |
|
54 |
36 |
|
|
|
|
5 |
3 |
|
39 |
21 |
|
|
|
|
6 |
3 |
|
33 |
15 |
|
|
|
|
7 |
5 |
|
49 |
31 |
|
|
|
|
8 |
5 |
|
46 |
28 |
|
|
|
|
|
|
First Total |
|
|
|
|
|
2+5 |
|
3+5 |
Add to Reduce |
3+5+1 |
1+9+8 |
3+6 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
Reduce to Deduce |
|
1+8 |
|
|
|
|
|
|
Essence of Number |
|
|
|
NUMBER NINE THE SEARCH FOR THE SIGMA CODES = 351 3+5+1 = 9
ABCDEFGHIJKLMNOPQRSTUVWXYZ = 351 3+5+1 = 9
26 |
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
+ |
= |
|
3+5+1 |
= |
|
|
|
|
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
+ |
= |
|
1+2+6 |
= |
|
|
|
|
|
26 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
R |
|
|
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|
NUMBER 9
THE SEARCH FOR THE SIGMA CODE
Cecil Balmond 1998
Page 12
" I will speak to you, I will help. My spirit will be with you. But now I must go for I have to set another day.
And this is the question I leave you with:
What is the fixed point in the wind?"
AND THIS IS THE QUESTION I LEAVE YOU WITH = 431
WHAT IS THE FIXED POINT IN THE WIND = 341
A |
|
|
1 |
3 |
|
19 |
10 |
|
T |
|
|
2 |
4 |
|
56 |
29 |
|
I |
|
|
3 |
2 |
|
28 |
19 |
|
T |
|
|
4 |
3 |
|
33 |
15 |
|
Q |
|
|
5 |
8 |
|
120 |
48 |
|
I |
|
|
6 |
1 |
|
9 |
9 |
|
L |
|
|
7 |
5 |
|
45 |
18 |
|
Y |
|
|
8 |
3 |
|
61 |
16 |
|
W |
|
|
9 |
4 |
|
60 |
24 |
|
|
|
|
|
|
First Total |
|
|
|
|
|
4+6 |
|
3+3 |
Add to Reduce |
4+3+1 |
1+8+8 |
4+4 |
|
|
|
|
|
Second Total |
|
|
|
|
|
1+0 |
|
|
Reduce to Deduce |
|
1+7 |
|
|
|
|
|
|
Essence of Number |
|
|
|
431 +341
188 +152
44+35
8+8
1+6
7
W |
|
|
1 |
4 |
|
52 |
16 |
|
I |
|
|
2 |
2 |
|
28 |
10 |
|
T |
|
|
3 |
3 |
|
33 |
15 |
|
F |
|
|
4 |
5 |
|
48 |
30 |
|
P |
|
|
5 |
5 |
|
74 |
29 |
|
I |
|
|
6 |
2 |
|
23 |
14 |
|
T |
|
|
7 |
3 |
|
33 |
15 |
|
W |
|
|
8 |
4 |
|
50 |
23 |
|
|
|
|
|
|
First Total |
|
|
|
|
|
4+5 |
|
2+8 |
Add to Reduce |
3+4+1 |
1+5+2 |
3+5 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
1+0 |
Reduce to Deduce |
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
AND THIS IS THE QUESTION I LEAVE YOU WITH WHAT IS THE FIXED POINT IN THE WIND
|
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|
|
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|
|
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|
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|
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|
|
1 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
D |
= |
4 |
3 |
1 |
D |
4 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
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|
4 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
5 |
1 |
H |
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
6 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
9 |
|
|
|
7 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
8 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
9 |
|
|
|
9 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
11 |
1 |
H |
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Q |
= |
8 |
13 |
1 |
Q |
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
= |
|
14 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
15 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
16 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
17 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
18 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
9 |
|
= |
|
19 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
20 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
21 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
22 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
23 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
24 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
V |
= |
4 |
25 |
1 |
V |
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
= |
|
26 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
27 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
7 |
|
|
|
= |
|
28 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
29 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
30 |
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
31 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
9 |
|
= |
|
32 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
33 |
1 |
H |
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
34 |
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
35 |
1 |
H |
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
= |
|
36 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
37 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
38 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
9 |
|
= |
|
39 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
40 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
41 |
1 |
H |
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
= |
|
42 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
43 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
44 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
9 |
|
= |
|
45 |
1 |
|
24 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
46 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
D |
= |
4 |
47 |
1 |
D |
4 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
48 |
1 |
|
16 |
7 |
|
|
|
|
|
|
|
|
7 |
|
|
|
= |
|
49 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
50 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
9 |
|
= |
|
51 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
52 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
I |
= |
9 |
53 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
9 |
|
= |
|
54 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
55 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
56 |
1 |
H |
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
= |
|
57 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
58 |
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
59 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
9 |
|
= |
|
60 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
D |
= |
4 |
61 |
1 |
D |
4 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
- |
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
7+9 |
- |
2+2 |
Add to Reduce |
7+7+2 |
3+4+0 |
7+9 |
|
|
1+6 |
|
1+6 |
7+5 |
3+0 |
1+4 |
5+6 |
9+0 |
S |
- |
7 |
|
4 |
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+6 |
|
1+6 |
|
|
|
|
|
1+2 |
|
|
1+1 |
|
S |
- |
7 |
|
4 |
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
AND THIS IS THE QUESTION I LEAVE YOU WITH WHAT IS THE FIXED POINT IN THE WIND
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
1 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
2 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
D |
= |
4 |
3 |
1 |
D |
4 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
= |
|
4 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
5 |
1 |
H |
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
6 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
9 |
|
= |
|
7 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
8 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
9 |
|
= |
|
9 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
10 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
11 |
1 |
H |
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
= |
|
12 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
Q |
= |
8 |
13 |
1 |
Q |
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
= |
|
14 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
15 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
16 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
17 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
18 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
9 |
|
= |
|
19 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
20 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
21 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
9 |
|
= |
|
22 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
23 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
24 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
V |
= |
4 |
25 |
1 |
V |
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
= |
|
26 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
27 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
7 |
|
|
|
= |
|
28 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
29 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
30 |
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
31 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
9 |
|
= |
|
32 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
33 |
1 |
H |
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
= |
|
34 |
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
35 |
1 |
H |
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
= |
|
36 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
37 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
38 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
9 |
|
= |
|
39 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
40 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
41 |
1 |
H |
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
= |
|
42 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
43 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
44 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
9 |
|
= |
|
45 |
1 |
|
24 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
46 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
D |
= |
4 |
47 |
1 |
D |
4 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
= |
|
48 |
1 |
|
16 |
7 |
|
|
|
|
|
|
|
|
7 |
|
|
|
= |
|
49 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
50 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
9 |
|
= |
|
51 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
52 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
53 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
9 |
|
= |
|
54 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
55 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
56 |
1 |
H |
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
= |
|
57 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
58 |
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
59 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
9 |
|
= |
|
60 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
D |
= |
4 |
61 |
1 |
D |
4 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
S |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
- |
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
7+9 |
- |
2+2 |
Add to Reduce |
7+7+2 |
3+4+0 |
7+9 |
|
|
1+6 |
|
1+6 |
7+5 |
3+0 |
1+4 |
5+6 |
9+0 |
S |
- |
7 |
|
4 |
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+6 |
|
1+6 |
|
|
|
|
|
1+2 |
|
|
1+1 |
|
S |
- |
7 |
|
4 |
Essence of Number |
|
|
|
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|
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|
|
|
|
|
|
|
AND THIS IS THE QUESTION I LEAVE YOU WITH WHAT IS THE FIXED POINT IN THE WIND
|
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|
|
|
|
|
|
|
|
|
|
|
|
= |
|
1 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
7 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
9 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
16 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
39 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
24 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
36 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
4 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
10 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
17 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
32 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
37 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
40 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
55 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
52 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
14 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
22 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
29 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
D |
= |
4 |
3 |
1 |
D |
4 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
V |
= |
4 |
25 |
1 |
V |
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
D |
= |
4 |
47 |
1 |
D |
4 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
D |
= |
4 |
61 |
1 |
D |
4 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
= |
|
2 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
12 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
15 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
20 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
23 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
26 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
30 |
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
34 |
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
42 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
46 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
51 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
51 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
46 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
58 |
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
54 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
19 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
28 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
49 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
45 |
1 |
|
24 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
43 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
27 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
7 |
|
|
|
= |
|
48 |
1 |
|
16 |
7 |
|
|
|
|
|
|
|
|
7 |
|
|
H |
= |
8 |
5 |
1 |
H |
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
11 |
1 |
H |
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
Q |
= |
8 |
13 |
1 |
Q |
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
33 |
1 |
H |
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
35 |
1 |
H |
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
41 |
1 |
H |
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
56 |
1 |
H |
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
6 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
9 |
I |
= |
9 |
8 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
9 |
I |
= |
9 |
18 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
9 |
I |
= |
9 |
21 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
9 |
I |
= |
9 |
31 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
9 |
I |
= |
9 |
38 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
9 |
I |
= |
9 |
44 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
9 |
I |
= |
9 |
50 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
9 |
I |
= |
9 |
53 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
9 |
I |
= |
9 |
59 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
9 |
S |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
- |
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
7+9 |
- |
2+2 |
Add to Reduce |
7+7+2 |
3+4+0 |
7+9 |
|
|
1+6 |
|
1+6 |
7+5 |
3+0 |
1+4 |
5+6 |
9+0 |
S |
- |
7 |
|
4 |
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+6 |
|
1+6 |
|
|
|
|
|
1+2 |
|
|
1+1 |
|
S |
- |
7 |
|
4 |
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
LETTERS TRANPOSED INTO NUMBERS RE-ARRANGED NUMERICALLY
SEVEN EVENS THE SO EVEN SEVEN
Page 18
"But what was the fixed point in the wind?
B |
|
|
1 |
3 |
|
43 |
7 |
|
W |
|
|
2 |
4 |
|
52 |
16 |
|
W |
|
|
3 |
2 |
|
43 |
16 |
|
T |
|
|
4 |
3 |
|
33 |
15 |
|
F |
|
|
5 |
5 |
|
48 |
30 |
|
P |
|
|
6 |
5 |
|
74 |
29 |
|
I |
|
|
7 |
2 |
|
23 |
14 |
|
T |
|
|
8 |
3 |
|
33 |
15 |
|
W |
|
|
9 |
4 |
|
50 |
23 |
|
|
|
|
|
|
First Total |
|
|
|
|
|
4+5 |
|
2+8 |
Add to Reduce |
3+9+9 |
1+6+5 |
4+8 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
1+0 |
Reduce to Deduce |
2+1 |
1+2 |
1+2 |
|
|
|
|
|
Essence of Number |
|
|
|
The question intrigued and teased him. How can something be unmoving in the swirling wind; what was its fix, if indeed there was such a point?
the honour I now seek, /Page 19/ and pronounce as the title of my learned subject:
'The Fixed Points in the Wind'
T |
|
|
4 |
3 |
|
33 |
15 |
|
F |
|
|
5 |
5 |
|
48 |
30 |
|
P |
|
|
6 |
5 |
|
93 |
39 |
|
I |
|
|
7 |
2 |
|
23 |
14 |
|
T |
|
|
8 |
3 |
|
33 |
15 |
|
W |
|
|
9 |
4 |
|
50 |
23 |
|
|
|
|
|
|
First Total |
|
|
|
|
|
4+5 |
|
2+8 |
Add to Reduce |
2+8+0 |
1+3+6 |
2+8 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
1+0 |
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
|
|
|
|
|
Essence of Number |
|
|
|
NINE FIXED POINTS IN THE WIND
"Nine Fixed Points in the Wind"
N |
|
|
4 |
3 |
|
42 |
24 |
|
F |
|
|
5 |
5 |
|
48 |
30 |
|
P |
|
|
6 |
5 |
|
93 |
39 |
|
I |
|
|
7 |
2 |
|
23 |
14 |
|
T |
|
|
8 |
3 |
|
33 |
15 |
|
W |
|
|
9 |
4 |
|
50 |
23 |
|
|
|
|
|
|
First Total |
|
|
|
|
|
3+4 |
|
2+8 |
Add to Reduce |
2+8+9 |
1+4+5 |
2+8 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
1+0 |
Reduce to Deduce |
1+9 |
1+0 |
1+0 |
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
N |
|
|
1 |
3 |
|
42 |
24 |
|
|
|
|
|
|
|
|
|
|
|
F |
|
|
2 |
5 |
|
48 |
30 |
|
|
|
|
|
|
|
|
|
|
|
P |
|
|
3 |
5 |
|
93 |
39 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
4 |
2 |
|
23 |
14 |
|
|
|
|
|
|
|
|
|
|
|
T |
|
|
5 |
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
W |
|
|
6 |
4 |
|
50 |
23 |
|
|
|
|
|
|
|
|
|
|
|
S |
- |
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
14 |
5 |
|
|
|
|
3 |
|
|
|
|
|
|
I |
= |
9 |
2 |
1 |
I |
9 |
9 |
9 |
|
|
|
3 |
|
|
|
|
|
9 |
|
|
|
3 |
1 |
|
14 |
5 |
|
|
|
|
3 |
|
|
|
|
|
|
|
|
|
4 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
6 |
1 |
I |
9 |
9 |
9 |
|
|
|
3 |
|
|
|
|
|
9 |
|
|
|
7 |
1 |
|
24 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
D |
= |
4 |
9 |
1 |
D |
4 |
4 |
4 |
|
|
|
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
16 |
7 |
|
|
|
|
|
|
|
|
7 |
|
|
|
|
|
11 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
12 |
1 |
I |
9 |
9 |
9 |
|
|
|
3 |
|
|
|
|
|
9 |
|
|
|
13 |
1 |
|
14 |
5 |
|
|
|
|
3 |
|
|
|
|
|
|
|
|
|
14 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
16 |
1 |
I |
9 |
9 |
9 |
|
|
|
3 |
|
|
|
|
|
9 |
|
|
|
17 |
1 |
|
14 |
5 |
|
|
|
|
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
19 |
1 |
H |
8 |
8 |
8 |
|
|
|
3 |
|
|
|
|
|
|
|
|
|
20 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
21 |
1 |
|
23 |
5 |
|
|
|
|
3 |
|
|
|
|
|
|
I |
= |
9 |
22 |
1 |
I |
9 |
9 |
9 |
|
|
|
3 |
|
|
|
|
|
9 |
|
|
|
23 |
1 |
|
14 |
5 |
|
|
|
|
3 |
|
|
|
|
|
|
D |
= |
4 |
24 |
1 |
D |
4 |
4 |
4 |
|
|
|
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
N |
|
|
4 |
3 |
|
42 |
24 |
|
|
|
|
|
|
|
|
|
|
|
F |
|
|
5 |
5 |
|
48 |
30 |
|
|
|
|
|
|
4+5 |
1+8 |
|
|
4+5 |
P |
|
|
6 |
5 |
|
93 |
39 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
7 |
2 |
|
23 |
14 |
|
|
|
|
|
|
|
|
|
|
|
T |
|
|
8 |
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
W |
|
|
9 |
4 |
|
50 |
23 |
|
|
|
|
|
|
|
|
|
|
|
S |
- |
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
3+4 |
- |
2+2 |
Add to Reduce |
2+8+9 |
1+4+5 |
2+8 |
|
|
|
|
|
|
|
|
|
|
S |
- |
7 |
|
4 |
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+9 |
1+0 |
1+0 |
|
|
|
|
|
|
|
|
|
|
S |
- |
7 |
|
4 |
Third Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
S |
- |
7 |
|
4 |
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
N |
|
|
1 |
3 |
|
42 |
24 |
|
|
|
|
|
|
|
|
|
|
|
F |
|
|
2 |
5 |
|
48 |
30 |
|
|
|
|
|
|
|
|
|
|
|
P |
|
|
3 |
5 |
|
93 |
39 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
4 |
2 |
|
23 |
14 |
|
|
|
|
|
|
|
|
|
|
|
T |
|
|
5 |
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
W |
|
|
6 |
4 |
|
50 |
23 |
|
|
|
|
|
|
|
|
|
|
|
S |
- |
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
14 |
5 |
|
|
|
|
3 |
|
|
|
|
|
|
I |
= |
9 |
2 |
1 |
I |
9 |
9 |
9 |
|
|
|
3 |
|
|
|
|
|
9 |
|
|
|
3 |
1 |
|
14 |
5 |
|
|
|
|
3 |
|
|
|
|
|
|
|
|
|
4 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
6 |
1 |
I |
9 |
9 |
9 |
|
|
|
3 |
|
|
|
|
|
9 |
|
|
|
7 |
1 |
|
24 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
D |
= |
4 |
9 |
1 |
D |
4 |
4 |
4 |
|
|
|
3 |
|
|
|
|
|
|
|
|
|
10 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
7 |
|
|
|
|
|
11 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
12 |
1 |
I |
9 |
9 |
9 |
|
|
|
3 |
|
|
|
|
|
9 |
|
|
|
13 |
1 |
|
14 |
5 |
|
|
|
|
3 |
|
|
|
|
|
|
|
|
|
14 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
16 |
1 |
I |
9 |
9 |
9 |
|
|
|
3 |
|
|
|
|
|
9 |
|
|
|
17 |
1 |
|
14 |
5 |
|
|
|
|
3 |
|
|
|
|
|
|
|
|
|
18 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
19 |
1 |
H |
8 |
8 |
8 |
|
|
|
3 |
|
|
|
|
|
|
|
|
|
20 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
21 |
1 |
|
23 |
5 |
|
|
|
|
3 |
|
|
|
|
|
|
I |
= |
9 |
22 |
1 |
I |
9 |
9 |
9 |
|
|
|
3 |
|
|
|
|
|
9 |
|
|
|
23 |
1 |
|
14 |
5 |
|
|
|
|
3 |
|
|
|
|
|
|
D |
= |
4 |
24 |
1 |
D |
4 |
4 |
4 |
|
|
|
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
N |
|
|
4 |
3 |
|
42 |
24 |
|
|
|
|
|
|
|
|
|
|
|
F |
|
|
5 |
5 |
|
48 |
30 |
|
|
|
|
|
|
4+5 |
1+8 |
|
|
4+5 |
P |
|
|
6 |
5 |
|
93 |
39 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
7 |
2 |
|
23 |
14 |
|
|
|
|
|
|
|
|
|
|
|
T |
|
|
8 |
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
W |
|
|
9 |
4 |
|
50 |
23 |
|
|
|
|
|
|
|
|
|
|
|
S |
- |
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
3+4 |
- |
2+2 |
Add to Reduce |
2+8+9 |
1+4+5 |
2+8 |
|
|
|
|
|
|
|
|
|
|
S |
- |
7 |
|
4 |
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+9 |
1+0 |
1+0 |
|
|
|
|
|
|
|
|
|
|
S |
- |
7 |
|
4 |
Third Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
S |
- |
7 |
|
4 |
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
N |
|
|
1 |
3 |
|
42 |
24 |
|
|
|
|
|
|
|
|
|
|
|
F |
|
|
2 |
5 |
|
48 |
30 |
|
|
|
|
|
|
|
|
|
|
|
P |
|
|
3 |
5 |
|
93 |
39 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
4 |
2 |
|
23 |
14 |
|
|
|
|
|
|
|
|
|
|
|
T |
|
|
5 |
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
W |
|
|
6 |
4 |
|
50 |
23 |
|
|
|
|
|
|
|
|
|
|
|
S |
- |
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
D |
= |
4 |
9 |
1 |
D |
4 |
4 |
4 |
|
|
|
3 |
|
|
|
|
|
|
D |
= |
4 |
24 |
1 |
D |
4 |
4 |
4 |
|
|
|
3 |
|
|
|
|
|
|
|
|
|
1 |
1 |
|
14 |
5 |
|
|
|
|
3 |
|
|
|
|
|
|
|
|
|
3 |
1 |
|
14 |
5 |
|
|
|
|
3 |
|
|
|
|
|
|
|
|
|
4 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
14 |
5 |
|
|
|
|
3 |
|
|
|
|
|
|
|
|
|
17 |
1 |
|
14 |
5 |
|
|
|
|
3 |
|
|
|
|
|
|
|
|
|
20 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
21 |
1 |
|
23 |
5 |
|
|
|
|
3 |
|
|
|
|
|
|
|
|
|
23 |
1 |
|
14 |
5 |
|
|
|
|
3 |
|
|
|
|
|
|
|
|
|
5 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
24 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
7 |
|
|
H |
= |
8 |
19 |
1 |
H |
8 |
8 |
8 |
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3 |
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I |
= |
9 |
2 |
1 |
I |
9 |
9 |
9 |
|
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3 |
|
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|
9 |
I |
= |
9 |
6 |
1 |
I |
9 |
9 |
9 |
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3 |
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|
9 |
I |
= |
9 |
12 |
1 |
I |
9 |
9 |
9 |
|
|
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3 |
|
|
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|
|
9 |
I |
= |
9 |
16 |
1 |
I |
9 |
9 |
9 |
|
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3 |
|
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|
9 |
I |
= |
9 |
22 |
1 |
I |
9 |
9 |
9 |
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3 |
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9 |
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N |
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4 |
3 |
|
42 |
24 |
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F |
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5 |
5 |
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48 |
30 |
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|
4+5 |
1+8 |
|
|
4+5 |
P |
|
|
6 |
5 |
|
93 |
39 |
|
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I |
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|
7 |
2 |
|
23 |
14 |
|
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T |
|
|
8 |
3 |
|
33 |
15 |
|
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W |
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|
9 |
4 |
|
50 |
23 |
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S |
- |
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First Total |
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- |
- |
3+4 |
- |
2+2 |
Add to Reduce |
2+8+9 |
1+4+5 |
2+8 |
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S |
- |
7 |
|
4 |
Second Total |
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|
|
|
|
Reduce to Deduce |
1+9 |
1+0 |
1+0 |
|
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|
|
S |
- |
7 |
|
4 |
Third Total |
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|
|
|
|
|
Reduce to Deduce |
1+0 |
|
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|
|
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|
|
|
|
|
|
|
S |
- |
7 |
|
4 |
Essence of Number |
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LETTERS TRANSPOSED INTO NUMBER
REARRANGED NUMERICALLY
Number 9 The Search for the Sigma Code
"Number 9" tells the story of Enjil, a boy mathematician who is challenged by a spirit to solve the riddle, 'What is the fixed point of the wind?'
- |
- |
- |
- |
- |
ENJIL |
- |
- |
- |
E |
= |
5 |
- |
1 |
E |
5 |
5 |
5 |
N |
= |
5 |
- |
1 |
N |
14 |
5 |
5 |
J |
= |
1 |
- |
1 |
J |
10 |
1 |
1 |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
L |
= |
3 |
- |
1 |
L |
12 |
3 |
3 |
- |
- |
23 |
|
5 |
|
|
|
|
- |
- |
2+3 |
- |
- |
- |
5+0 |
2+3 |
2+3 |
- |
- |
5 |
- |
|
ENJIL |
|
|
|
NUMBER 9
THE SEARCH FOR THE SIGMA CODE
Cecil Balmond 1998
Page73
Armed with the code we go on to look into the precious mirrors of arithmetic, the four infinite planes of adding, subtracting, dividing and multiplying, that manipulate all numbers.
The sigma code lays down a trace of how numbers work in secret, we can peer into their basic patterns. But it is only when these patterns are seen as a whole that the beauty of the code is revealed and the astonishing truth of number nine at the heart of our number system.
(And here we must thank zero for even allowing the sigma code to exist. For without zero the process of reduction would not work. Adding digits to pare down to a single digit is dependent on our unique placement value system of units, tens, hundreds, etc. Zero allows the code to be bound within the range 1-9)."
- |
- |
- |
- |
- |
ZERO |
- |
- |
- |
Z |
= |
8 |
- |
1 |
Z |
26 |
8 |
8 |
E |
= |
5 |
- |
1 |
E |
5 |
5 |
5 |
R |
= |
9 |
- |
1 |
R |
18 |
9 |
9 |
O |
= |
6 |
- |
1 |
O |
15 |
6 |
6 |
- |
- |
28 |
|
4 |
ZERO |
64 |
28 |
28 |
- |
- |
2+8 |
- |
- |
- |
6+4 |
2+8 |
2+8 |
- |
- |
10 |
- |
4 |
ZERO |
10 |
10 |
10 |
- |
- |
1+0 |
- |
- |
- |
1+0 |
1+0 |
1+0 |
- |
- |
1 |
- |
4 |
ZERO |
1 |
1 |
1 |
OUT OF ZERO COMETH ONE
O |
= |
6 |
- |
3 |
OUT |
56 |
11 |
2 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
Z |
= |
8 |
- |
4 |
ZERO |
64 |
28 |
1 |
C |
= |
3 |
- |
6 |
COMETH |
64 |
28 |
1 |
O |
= |
6 |
- |
3 |
ONE |
34 |
16 |
7 |
|
|
29 |
|
18 |
|
|
|
14 |
- |
- |
2+9 |
- |
1+8 |
- |
2+3+9 |
9+5 |
1+4 |
- |
- |
|
- |
|
- |
|
|
|
- |
- |
1+1 |
- |
- |
- |
1+4 |
1+4 |
- |
- |
- |
|
- |
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- |
|
|
|
G |
= |
7 |
- |
3 |
GOD |
26 |
17 |
8 |
I |
= |
9 |
- |
2 |
IS |
28 |
10 |
1 |
Z |
= |
8 |
- |
4 |
ZERO |
64 |
28 |
1 |
O |
= |
6 |
- |
3 |
ONE |
34 |
16 |
7 |
I |
= |
9 |
- |
2 |
IS |
28 |
10 |
1 |
- |
- |
39 |
|
14 |
Add to Reduce |
|
|
|
- |
- |
12 |
- |
1+4 |
Reduce to Deduce |
1+8+0 |
8+1 |
1+8 |
- |
- |
3 |
- |
|
Essence of Number |
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|
- |
ZERO IS ONE |
- |
- |
- |
- |
ZERO |
- |
- |
- |
|
Z |
26 |
8 |
|
|
E |
5 |
5 |
|
|
R |
18 |
9 |
|
|
O |
15 |
6 |
|
4 |
ZERO |
64 |
28 |
28 |
- |
IS |
- |
- |
- |
|
I |
9 |
9 |
|
|
S |
19 |
10 |
|
2 |
IS |
28 |
19 |
10 |
- |
ONE |
- |
- |
- |
|
O |
15 |
6 |
|
|
N |
14 |
5 |
|
|
E |
5 |
5 |
|
3 |
ONE |
34 |
16 |
16 |
9 |
ZERO IS ONE |
126 |
63 |
54 |
- |
- |
1+2+6 |
6+3 |
5+4 |
9 |
ZERO I S ONE |
9 |
9 |
9 |
|
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- |
- |
- |
8 |
|
|
6 |
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|
|
1+4 |
|
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|
|
- |
- |
26 |
|
|
15 |
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|
4+1 |
|
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|
|
|
|
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|
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- |
- |
- |
|
5 |
9 |
|
|
|
|
1+4 |
|
|
|
|
- |
- |
|
5 |
18 |
|
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|
2+3 |
|
|
= |
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|
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|
|
- |
- |
- |
26 |
5 |
18 |
15 |
|
|
|
6+4 |
|
|
1+0 |
|
- |
- |
8 |
5 |
9 |
6 |
|
|
|
2+8 |
|
|
1+0 |
|
|
4 |
|
|
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- |
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- |
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- |
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- |
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TWO |
2 |
|
- |
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- |
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- |
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- |
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- |
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- |
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occurs |
x |
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= |
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occurs |
x |
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= |
6 |
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- |
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- |
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8 |
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occurs |
x |
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= |
8 |
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occurs |
x |
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= |
9 |
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- |
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2+8 |
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2+8 |
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8 |
5 |
9 |
6 |
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1+0 |
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1+0 |
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- |
- |
8 |
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6 |
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1+4 |
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- |
26 |
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15 |
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4+1 |
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- |
- |
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5 |
9 |
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1+4 |
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- |
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5 |
18 |
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2+3 |
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= |
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- |
- |
26 |
5 |
18 |
15 |
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6+4 |
|
|
1+0 |
|
- |
8 |
5 |
9 |
6 |
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2+8 |
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1+0 |
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4 |
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- |
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- |
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occurs |
x |
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= |
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|
occurs |
x |
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= |
6 |
|
8 |
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|
occurs |
x |
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= |
8 |
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occurs |
x |
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= |
9 |
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- |
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|
2+8 |
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2+8 |
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8 |
5 |
9 |
6 |
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1+0 |
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1+0 |
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1 |
I |
9 |
9 |
9 |
2 |
AM |
14 |
5 |
5 |
3 |
THE |
33 |
15 |
6 |
8 |
OPPOSITE |
115 |
43 |
7 |
2 |
OF |
21 |
12 |
3 |
3 |
THE |
33 |
15 |
6 |
8 |
OPPOSITE |
115 |
43 |
7 |
1 |
I |
9 |
9 |
9 |
2 |
AM |
14 |
5 |
5 |
3 |
THE |
33 |
15 |
6 |
8 |
OPPOSITE |
115 |
43 |
7 |
2 |
OF |
21 |
12 |
3 |
8 |
OPPOSITE |
115 |
43 |
7 |
2 |
IS |
28 |
19 |
1 |
3 |
THE |
33 |
15 |
6 |
2 |
AM |
14 |
5 |
5 |
1 |
I |
9 |
9 |
9 |
6 |
ALWAYS |
81 |
18 |
9 |
2 |
AM |
14 |
5 |
5 |
64 |
First Total |
|
|
|
6+4 |
Add to Reduce |
7+9+3 |
3+2+5 |
1+0+9 |
10 |
Second Total |
|
10 |
10 |
1+0 |
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
1 |
Essence of Number |
|
|
|
T |
= |
2 |
- |
3 |
THE |
31 |
15 |
6 |
R |
= |
9 |
- |
7 |
REALITY |
90 |
36 |
9 |
W |
= |
5 |
- |
6 |
WITHIN |
83 |
38 |
2 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
P |
= |
7 |
- |
7 |
PATTERN |
94 |
31 |
4 |
- |
- |
25 |
|
26 |
Add to Reduce |
|
|
|
- |
- |
2+5 |
- |
2+6 |
Reduce to Deduce |
3+3+3 |
1+3+5 |
2+7 |
- |
- |
7 |
- |
8 |
Essence of Number |
|
|
|
IN OUR TIME
Last broadcast on Thu, 18 Dec 2003, 21:30 on BBC Radio 4
"Melvyn Bragg and guests discuss the feat of astonishing intellectual engineering which provides us with millions of words in hundreds of languages. At the start of the twentieth century, in the depths of an ancient Egyptian turquoise mine on the Sinai peninsular, an archaeologist called Sir Flinders Petrie made an exciting discovery. Scratched onto rocks, pots and portable items, he found scribblings of a very unexpected but strangely familiar nature. He had expected to see the complex pictorial hieroglyphic script the Egyptian establishment had used for over 1000 years, but it seemed that at this very early period, 1700 BC, the mine workers and Semitic slaves had started using a new informal system of graffiti, one which was brilliantly simple, endlessly adaptable and perfectly portable: the Alphabet. This was probably the earliest example of an alphabetic script and it bears an uncanny resemblance to our own.
Did the alphabet really spring into life almost fully formed? How did it manage to conquer three quarters of the globe? And despite its Cyrillic and Arabic variations and the myriad languages it has been used to write, why is there essentially only one alphabet anywhere in the world?"
YESTERDAY TODAY TOMORROW.
PAST PRESENT FUTURE
NORTH SOUTH EAST WEST
. UP AND DOWN
GO LEFT GO RIGHT
OUTSDE FORM INSIDE FORM
DARK LIGHT
MIND MATTER
ETERNAL LIFE.
The Number Nine has Hidden Meaning find out what it means.
doowans.com › the-number-nine
29 Jan 2017 - Composed of three trinities (3 times 3 equals 9), nine represents the principles of the sacred Triad taken to their utmost expression. Nine has ...
The Number Nine is everywhere. One need only look just under the surface. Before we start one must understand that numbers were not invented, they were discovered.
To understand Nine one must consider Numerology. The Number Nine is the last number in a base 10 system. Which is the last and limit of ALL that is material. The Number Nine holds a code that affects every person on earth.
This hidden code reveals a great truth and is encoded into the construct of our universe. Nine is not just a number, it is consciousness itself. Also represented with an e which is a Nine.
The process of reducing a number down to one digit is called by many names and is common practice not only in numerology, but in mainstream science. Since numbers are at the heart of Quantum Mechanics and Quantum Language. Then one would have to consider numbers are an inherent part of this universe.
In the base 10 system, where all numbers are represented by ten distinct forms (0, 1, 2, 3, 4, 5, 6, 7, 8, and 9), nine is the final number. For all the single digit numbers, nine (9) is the most profound. Composed of three trinities (3 times 3 equals 9), nine represents the principles of the sacred Triad taken to their utmost expression. Nine has been and still is considered thrice sacred and represents perfection, balance, order, in effect the Supreme Superlative.
One can See nine everywhere
THE NUMBER NINE
There are 360 degrees in a circle. This is not arbitrary. As on can see… three plus six equals Nine. Cut the circle in half and there is 180 degrees, again, adding up to Nine. Cut it in half again and there is 90 degrees in the quad, Nine again. One can continue with this division and the resulting angle will always reduce to the Number Nine. Wait there’s more.
When you multiply any number by the Number Nine, then add the resulting digits and reduce them to a single digit, it always becomes Nine. For example, 6 x 9 = 54, reduce 54 to a single digit by adding them together: 5 + 4 = 9. Similarly, 9 x 9 = 81, 8 + 1 = 9. Or 23 x 9 = 207, 2 + 0 + 7 = 9.
There is nothing coincidental about this peculiarity. Try it. Any number, no matter how large, multiplied by 9 reduces to 9.
From a numerological perspective, the 9 simply takes over, like the infamous changeling. Any number that was initially increased by a factor of 9 loses its own identity and instead takes on the characteristics of the 9. Example: 3 x 9= 27 2+7= 9. No other number has this quality. Multiplying by nine reveals a mirror symmetry among numbers. If any number is multiplied by nine the resulting digits always add to nine.
Different, but no less distinctive and revealing attribute of the 9 is when you add it to any other number, then reduce that number to a single digit, it always comes back to the original number, as if nothing was added at all. For example, 5 + 9 = 14, 1 + 4 = 5, 7 + 9 = 16, 1 + 6 = 7, 1+9= 10. Get the picture?
Sow, Nine is ALL, and yet, nothing at the same time depending on what one does with it. Some may call Nine the Singularity.
The Number Nine
Is there a divine code embedded in our number system? Vortex based Math says yes! One need only to look at the sum of polygon angles to find Nine is everywhere. Is this meaningless Numerology, or Divine symmetry? You decide…
Looking at the shape of the symbol is, quite telling. The 9 is the 6 upside down, maybe 6 is 9 upside down. However Nine is a symbol of offering sympathy and compassion, a reservoir of giving with a generous downward spout, a root sow to speak, that feeds the fruit on the tree of life, or a pouring out of Consciousness into the construct of the Universe. Either way works for ME.
To Each Their Own
This cannot be said for the number six as six draws everything thing into it self. It’s in the drawing of the symbol that one finds the rhythm as spoken of in The Seven.
The Number Nine is the least judgmental of all numbers, the most tolerant and the most conscious. How can I say this? The sum of all the digits excluding Nine, 1+2+3+4+5+6+7+8=36, 3+6=9, Even when one adds 9+36=45 4+5 Again equals Nine. Is it interesting, that the sum of the numbers equals 36. Just place the 0 behind 36 and one makes the full circle of 360 degrees.
In your hands are the keys to a New Beginning
Nine in the Bible
The Number Nine is used 49 times in Scripture, It appears to me that something is off in the Scriptures. Like something has been subtracted as the numbers don’t add up. You SEE, 4+9=13 which equals 4 now 54 times would make more sense. However the number 9 symbolizes divine completeness or conveys the meaning of finality. As Christ die in the Ninth hour. Nine represents the fruits of God’s Holy Spirit, which are Faithfulness, Gentleness, Goodness, Joy, Kindness, Long suffering, Love, Peace and Self-control (Galatians 5:22 – 23).
The Number Nine is strongly associated with the Chinese dragon, a symbol of magic and power. There are nine forms of the dragon, it is described in terms of nine attributes, and it’s nine children.
In the base 10 system, where all numbers are represented by ten distinct forms (0, 1, 2, 3, 4, 5, 6, 7, 8, and 9), the Number Nine is the final number. For all the single digit numbers, nine (9) is the most profound. Composed of three trinities (3 x 3 = 9), nine represents the principles of the sacred Triad taken to their utmost expression. Nine has been and still is considered thrice sacred and represents perfection, balance, order, in effect, the supreme superlative. Thus, the Hebrews referred to nine as the symbol of immutable Truth.
crop nine
The Number Nine Symbolism
Number of patience, the meditation. Number of the harmony, it represents the inspiration and the perfection of the ideas. It is the expression of “the power of the Holy Spirit”. Your divine Consciousness. Symbolize the plenitude of talents, the reward of the tests. Symbol of creation and life as a rhythm and development. As a product of 3 x 3, it is the expression of the perfection, the symbol of the virile power, in addition to be associated to the couple. Nine is the number of the one who accomplishes the divine will. According to the Cabal, it is also the number of the achievement. The free-masons have made it the eternal number of human immortality.
Being the last simple number, it is the number of finalization or fruition, therefore the most complex, that marks the full lighting up. This number was considered sacred in Egypt and in Greece. The Number of man, as a numeral symbol of his gestation (nine months). Number symbolizing the nocturnal and terrestrial things, in the Aztecs teachings. Number of the hierarchy, represented by nine choruses of the Angels. Representing the three divine manifestations in the three planes, world of spirit, world of thought, world of matter, which gives a triple manifestations of Trinity (3 x 3=9).
Comets and Hopi Prophecy Halos around the sun
The Supreme Superlative is coming
Symbol of the multitude, it concerns absolute things, and is the symbol of the totality of the human being. A favorable number, associate to the eternity.
In Numerology, the positive characteristics of nine (9) are selflessness, fulfillment, completion, universality, universal understanding, interrelatedness, compassion, idealism tolerance, forgiveness, generosity, benevolence, humanitarianism, emotionalism, and justice.
Nine is also associated with accomplished artists and thinkers who are inspired by universal truths. Simultaneously, 9 can represent negative characteristics, from selfishness to extravagance to vulgarity, essentially the opposites of the positive characteristics.
crop nine 1
“If you only knew the magnificence of the 3, 6 and 9, then you would have a key to the universe.” -accredited to Nikola Tesla
A sequence of six Nines occurs in the decimal representation of p, starting at the 762nd decimal place. It has become famous because of the idea that one could memorize the digits of p up to that point, recite them and end with “nine nine nine nine nine nine and so on”, which seems to suggest that p is rational. However p is still undetermined at this point, as I have found three numerical references to pi. 3.14159… ,3.142857…, and now 3.125…. They call that rational?….
The sequence of six Nines is sometimes called “Feynman point” after physicist Richard Feynman.
The Number Nine also resonates with learning to say ‘No’ As Nine in German means NO.
Number Nine in Fibonacci
Nine really begins to shine in Fibonacci. Numeric reduction is a technique used in analysis of numbers in which all the digits of a number are added together until only one digit remains. As an example, the numeric reduction of 256 is 4 because 2+5+6=13 and 1+3=4.
Applying numeric reduction to the Fibonacci series produces an infinite series of 24 repeating digits. This is called the Golden Mean or Golden Spiral. Also know as Sacred Geometry.
When one takes the first 12 digits and then adds them to the second twelve digits and apply numeric reduction to the result, they find that all have a value of 9. This pattern was contributed both by Joseph Turbeville and then again by a mathematician by the name of Jain.
1,1,2,3,5,8,4,3,7,1,8,9
8,8,7,6,4,1,5,6,2,8,1,9
9,9,9,9,9,9,9,9,9,9,9, 18 which of course equals Nine.
One might expect a pattern to exist in the Fibonacci series since each number in the series encodes the sum of the previous two. What’s not quite so obvious is why this pattern should repeat every 24 numbers or why the first and last half of the series should all add to 9. Of course this might have something to do with the human chromosomes as Monkey Man eluded too. However, I cannot confirm or deny this fact.
Since Nine is encoded into the cosmos as consciousness, one might expect a pattern. If one want’s to see the pattern check out this video. It explains everything with pictures even.
Here let’s break down NINE into a construct we can comprehend, before watching the video shall we?
Mother Earth
The Number Nine is finding peace and joy all in one
25,920 years in the Great Year – The Precession of the Equinox = 9. Degrees in a circle add up to 360 degrees = 9, and any geometric form’s total angles adds up to 9.
Measurements:
1 sq ft: 144 inches = 9
1 cubic ft: 1728 cubic inches = 9
1 square yard: 1296 inches = 9
1 cubic yard: 46,656 cubic inches = 9
Time:
86400 secs/day = 9
3600 secs/hour = 9
604800 secs/week = 9
1440 mins/day = 9
10080 mins/week = 9
25920 years/precesion = 9
525600 minutes/year = 9
Ancients:
Precessional cycle 25920 indig 9
Maya number for the precession 25956 indig 9
Maya companion number 1366560 indig 9
Maya long-count period (days) 1872000 indig 9
Ancient kemi number 1296000 indig 9
Plato’s ‘perfect number’ 5040 indig 9 (1x2x3x4x5x6x7 = 5040)
The Monster |M| 80801742479… indig 9
The 4 Hindu Yugas (ages)
Satya Yuga 1,728,000 indig 9
Treta Yuga 1,296,000 indig 9
Dvapara Yuga 864,000 indig 9
Kali Yuga 432,000 indig 9
Sure seems like a lot of Nines. Oh there’s more. I Am sure you get the idea. Here’s something learned that I can share with you concerning the word Nine.
N= infinitely as in the nth degree
I= Himself, Herself, Itself
N= infinitely as in the nth degree
E= Consciousness
Thus, we have.. infinitely, himself, herself, itself, infinitely, in Consciousness.
Well that says it ALL. As The Number Nine is expressed throughout this Universe, sown in ones Consciousness. The Power of Number Nine
The power in Spirit.
Flying on the Wings of Consciousness with Creation under my Wings
Knowledge is Power
Experience is Wisdom
Your Power is Yours Ego
Hey, look at ME! I could be a Nine
The Number Nine ain’t just a Number
The Bible numerology code number 9
www.astrovera.com › bible-religion › 190-bible-numbe...
The biblical number 9 was taken as sacred in Greece and Egypt. It is the last number of finalization and is therefore considered as the most complex and ...
Most of the religions maintain numbers carry hidden meanings which are supposed to carry the secrets of universe. Every number is associated with gods, goddesses, gemstones, superstitions, colours, flowers etc. As such many people refer biblical numerology as it contains numerous achievements while Etchegoyen called it an expression of the power of the Holy Spirit. The number 9 is seen an eternal number of human immortality when it comes to freemasons.
The biblical number 9 was taken as sacred in Greece and Egypt as well. It is the last number of finalization and is therefore considered as the most complex and the number marking the full lighting up of numerical series. It is also the number of man and depicts gestation which is also a period of nine months. It is the number of hierarchy; it represented nine choruses of angels. It is also a favourable number associated to the eternity. Biblical number nine is a symbol of multitude and totality of human being according to Parmenides. It represents three divine manifestations through three plans which are world of spirit, world of soul, world of matter thus giving it a triple manifestation of 3 x 3.
According to bible, number 9 has got a lot of spiritual significance. When Jesus Christ was nailed on the cross, he expires at the ninth hour. Also Jesus appears a total of nine times to his apostles and disciplines after his resurrection. As specified by Saint Paul, there are nine spiritual gifts of God which are wisdom, knowledge, faith, gift of healing, to operate miracles, prophecy, discreetness of spirits, tongues and to interpret them. Also Saint Paul listed nine fruits of spirit which are love, joy. Peace, patience, kindness, goodness, truthfulness, gentleness and self control. Number nine is also associated with Hoshea, son of Elah who became king of Israel in Samaria and ruled for nine years. A very holy saying from Jesus Ben Sira in Ecclesiastic also supports the holiness of biblical number nine. He says, “There are nine things I can think of which strike me as happy and a tenth one which is now my tongue”.
The Biblical number 9 is the number of judgement. It also means fruit of spirit or the divine completeness from the father. Nine is the ultimate which contains the forces of all other numbers. Biblical number 9 stands for a complete cycle of growth. The nine generations from Adam to Noah (ninth from Adam) and Noah to Abraham (ninth from Noah) represents the stages of development and growth. Abram was ninety and nine years when he received covenant from God and his new name Abraham. Therefore symbolically his name reduces to number 9 indicating the period of time in which the spiritual cycle is completed. Also the addition of H to Abram’s carries a vibration 9.
The number 9 is also linked with Hecate who is the Queen of Witches. The number is considered to be the number of completion and that everything comes back to 3 x3 rule. The God and Goddess linked with this biblical number include Juno the Roman Goddess of abundance, Odin the father creator in Norse mythology and Luna who is the Roman Goddess of Moon. This number is symbolized by colours white and pearl. In Chinese mythology the number is associated with a magic square which has first nine single digits on number line. Number 9 is also said to be associated with silver, platinum, pearl and diamond and the flowers associated with this number are white roses, white carnations and lily of the valley.
There are many superstitions associated with this number, few of which are listed here. a person with number 9 is said to have blessed if he finds nine peas in a pond. An address with number 9 is said to bring happiness and long life. If you dream of number 9, you will soon be blessed with a child in your home. Tying 9 knots around the photo of an enemy will make them to give up the battle. Similarly tying nine knots in a strand of lover’s hair will make her to come to you. Biblical numerology of number 9 is the finality or the judgement. It is generally when at the time of judging a person and his works. Also, number 9 is used to define the perfect movement of God.
The biblical number 9 is a number of patience. It is the number of patience of harmony, meditation, inspiration and perfection of ideas. The number 9 is also a symbol of creation and represents that life is full of development and rhythm. Since 9 can be represented as 3 x 3, it denotes perfection, virile power. It is also the number of those who accomplish the divine will.
Number Nine: Sacred Symbol In Ancient Cultures
Mercutio: Good king of cats, nothing but one of your nine lives.
There is also an old English ancient proverb that says: 'A cat has nine lives. For three he plays, for three he strays, and for the last three he stays. '31 Aug 2017
nine lives of a cat
a stitch in time saves nine
the whole nine yards
nine times out of ten
cloud nine the phrase on cloud nine.
nine times out of ten
genius is one percent inspiration, ninety-nine percent perspiration
bent as a nine-bob note
my very educated mother just served us nine pumpkins
A mnemonic used to remember the order and names of the nine planets of the solar system:
Mercury, Venus, Earth, Mars, Jupiter, Saturn, Uranus, Neptune, Pluto
nine day wonder Something that generates interest for a limited time
on cloud nine Very happy, blissful
over nine thousand off the charts; through the roof
possession is nine points of the law Dated form of possession is nine-tenths of the law
the whole nine yards And everything. Often used, like etc., to finish out a list. Rate it:
avoir la vie dure 1. To have a hard time. 2. To have nine lives
bat around When at least nine batters bat in a half inning.
catch-as-catch-can A. 1681, John Fryer, Richard Chiswell, Robert Roberts, Robert White, A New Account of East-India and Persia, in Eight Letters, Being Nine Years Travels, Begun 1672 and Finished 1681. Rate it:
German virgin The name of a poker hand in the game of Texas hold 'em, when a player is dealt two nine cards. Rate it:
A phrase used to memorise the nine tones in Cantonese
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1+1+7 |
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23 |
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- |
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- |
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occurs |
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occurs |
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occurs |
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occurs |
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45 |
4+5 |
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occurs |
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1+8 |
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occurs |
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1+4 |
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occurs |
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8 |
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occurs |
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18 |
1+8 |
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2+3 |
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4+2 |
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2+3 |
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1+1+7 |
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5+4 |
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- |
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2 |
8 |
5 |
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5 |
9 |
5 |
5 |
2 |
7 |
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5 |
9 |
5 |
5 |
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5 |
1 |
4 |
5 |
1 |
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6 |
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7 |
6 |
4 |
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E |
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- |
- |
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5 |
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5 |
9 |
5 |
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5 |
9 |
5 |
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5 |
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6 |
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6 |
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6+0 |
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1+0 |
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8 |
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14 |
9 |
14 |
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14 |
9 |
14 |
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14 |
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15 |
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15 |
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1+4+5 |
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1+0 |
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E |
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- |
- |
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5 |
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5 |
2 |
7 |
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5 |
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5 |
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5+3 |
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- |
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5 |
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5 |
20 |
25 |
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5 |
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5 |
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1+1+6 |
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E |
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- |
- |
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- |
20 |
8 |
5 |
14 |
9 |
14 |
5 |
20 |
25 |
14 |
9 |
14 |
5 |
14 |
1 |
13 |
5 |
19 |
15 |
6 |
7 |
15 |
4 |
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2+6+1 |
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- |
2 |
8 |
5 |
5 |
9 |
5 |
5 |
2 |
7 |
5 |
9 |
5 |
5 |
5 |
1 |
4 |
5 |
1 |
6 |
6 |
7 |
6 |
4 |
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1+1+7 |
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23 |
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- |
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- |
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occurs |
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= |
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= |
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- |
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occurs |
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- |
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occurs |
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= |
8 |
= |
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- |
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occurs |
x |
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= |
45 |
4+5 |
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occurs |
x |
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= |
18 |
1+8 |
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occurs |
x |
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= |
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1+4 |
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occurs |
x |
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= |
8 |
= |
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- |
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occurs |
x |
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= |
18 |
1+8 |
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2+3 |
- |
- |
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4+2 |
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2+3 |
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1+1+7 |
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5+4 |
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- |
2 |
8 |
5 |
5 |
9 |
5 |
5 |
2 |
7 |
5 |
9 |
5 |
5 |
5 |
1 |
4 |
5 |
1 |
6 |
6 |
7 |
6 |
4 |
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- |
- |
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10 |
LOVE EVOLVE |
- |
- |
- |
- |
LOVE |
- |
- |
- |
- |
L+O |
27 |
9 |
9 |
- |
V+E |
27 |
9 |
9 |
- |
EVOLVE |
- |
- |
- |
- |
E+V |
27 |
9 |
9 |
- |
O+L |
27 |
9 |
9 |
- |
V+E |
27 |
9 |
9 |
- |
EVOLVE LOVE |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
10 |
LOVE EVOLVE |
135 |
45 |
9 |
THE SCULPTURE OF VIBRATIONS 1971